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Anne Whitehouse

Flaco

Eurasian Eagle-Owl, March 15, 2010-February 23, 2024


 

In his twelve years of life, 

Flaco never left his cage in Central Park

until the February night 

when vandals stole into the zoo

and cut the steel mesh imprisoning him.

He flew as far as Bergdorf Goodman, 

half a mile away.

 

In those first hours of freedom,

Flaco hunched over a midtown sidewalk 

in the rain, dazed and confused.

His talons gripped the sidewalk, 

his large, round orange eyes 

dazzled by revolving police lights,

his sensitive ears deafened by sirens. 

He ignored the pet carrier baited 

with frozen rat, placed next to him.

 

A long-buried instinct stirred.

Unfolding his long wings,

Flaco took off again, 

returning to the park. 

 

The initial rescue efforts

were hampered by crowds

who interfered with zoo staff.

That night Flaco caught his first rat, 

flushed by a garbage pickup,

and took it to the treetops.

Eating, he paused to hoot softly.

In the zoo, he’d hardly ever hooted,

and he hadn’t yet found his voice.

 

His first efforts at flying were clumsy.

He crash landed onto branches

and made a racket. But he persevered

to become a graceful flyer, 

gliding silently and swooping soundlessly. 

 

Wherever he went, people tracked

and broadcast his movements, 

shot pictures and videos.

He’d become a celebrity

in a city that venerates celebrities.

Succumbing to public pressure,

the zoo abandoned rescue efforts.

 

A myth developed about Flaco:

that he had chosen freedom,

that he wanted to make his home here,

that he was like the rest of us,

cooped up in the pandemic

and now let out, discovering his city.

 

By nature a feral bird far removed

from his native habitat

who had never lived on his own,

Flaco wasn’t living a wonderful life,

but eking an existence in an urban park

between a compost heap

and a construction site, 

with no chance of encountering

another of his kind, 

the only Eurasian Eagle-Owl

in all of North America.

 

His continuing survival

astounded everyone.

As he gained confidence,

his ethereal beauty grew,

his expressive tufted ears,

his delicate feathers striped

orange, white, and brown

puffed out around his body,

his slightly devilish face.

 

Seeing him behave like other owls,

claiming a wildness 

he’d never experienced,

was awe-inspiring.

 

One summer evening, 

he chased a rat into the fence 

next to a ballfield, trapping it.

He ate part of it and saved the rest for later.

Another night, he waddled 

from tree trunk to tree trunk

on his thickly-feathered legs,

searching for his cache. 

After he ate it, he bathed 

in a puddle on the playing field.

 

Serene with the sunlight 

on his face in the summer morning,

his gular fluttering to beat the heat,

preening and radiant,

or camouflaged among 

dying leaves in the autumn, 

Flaco attracted attention.

 

In November he disappeared

from his roost in the park 

and was seen five miles away,

in Tompkins Square. 

In the winter, he returned uptown,

but he didn’t remain in Central Park.

 

Flaco perched above water towers

atop the roofs of apartment buildings,

like an eagle-owl alight on a cliff.

Resting on scaffolding

twenty stories above the avenue,

Flaco leaned forward and hiked up his tail, 

and his wings drooped down,

his ear tufts ruffling in the wind,

his white throat patch enlarged

and shining in the moonlight,

as a lovely, soft “hoo” emerged.

 

A gentle sound that travelled 

surprisingly far, it could be heard

by pedestrians two blocks away.

Sometimes Flaco hooted for hours.

Avian experts worried he was distressed.

Manhattan had become his prison,

full of invisible dangers,

where no large owl has ever survived 

more than eighteen months.

 

Early one February evening,

just past a year since Flaco’s release,

the super of 267 West 89 Street

came across what he thought 

was a rock lying in the alley

just outside his basement door.

On closer examination 

he recognized Flaco,

lying face-down, wings splayed.

 

The cause of death was traumatic injury,

a hemorrhage under the sternum 

and around the liver. A necropsy 

confirmed high levels of rat poison

and an infection from a pigeon virus.

 

We made too much of Flaco,

without considering what he really was:

an animal estranged from his habitat,

living on borrowed time.

Escape.jpg

THE COURTSHIP OF WINDS

© 2015 by William Ray

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