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Frederick Pollack

Downturn

He had to sell the place in town

whose flat roof he still sees 

through binoculars. For years he meant

to sit there of an evening, watching the boats;

hadn’t. Now his wife 

can’t buy new things to wear for him

and evanescing friends, nor

his daughters collect glances on 

the seafront. What remains 

are the house in the hills, a cook 

who talks to herself (some afternoons 

the only living sound), 

and objects waiting to leave. 

The look he gets from ancestral portraits 

was always there; he counters it by knowing

that no one will want them. The girls 

sulk on their phones, the wife …

The crash has cleared the docks and swept

tour buses from the harbor road.

Heretofore the gaze of strangers he

disdained had validated him;

now, with those multiple absences,

he feels an irritating brotherhood.

Manfred

Other worlds are different: migration is welcome.

If you can get there, society (whatever it is)

will bend and change to accommodate you while

assuming you’re changed by its love. 

Across the galaxies, the plural universes,

compassion is both common and an art.

Only Earth is mean. (Iceland, Africa, 

the shores of the Pacific break apart; is it

the movement of plates or nausea at the taste

of humans?) And, elsewhere, the migrant

perhaps most cherished is the one who can’t

explain his exile in the usual ways.

Who expects, in fact, no pity, only

blame. Who might have sought supernatural

forgiveness or penance or simply terms

for himself, but in a cosmos without

metaphysics must stumble 

from world to world trying to explain.

To a sexless race how he was mean

to his mother. To telepaths how he was manipulative,

secretive. To confess vanity

to machines running mildly down, and loneliness

to a hive. Everywhere he meets 

with listeners who would listen for eternity,

but he can’t bear eternity and leaves. 

For other worlds where he must also

live in special quarters furnished 

with his atmosphere, pressure, food, gravity,

language and fluids. What he notices about

each host (far more than how they look) is

their poverty, though they seldom perceive it

as such; only Earth is rich.

Though the others begrudge him nothing,

death might be cheaper for all concerned.

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THE COURTSHIP OF WINDS

© 2015 by William Ray

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