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Paul Connolly

The Inevitable

The second rail, live above the runners,

draws him as the tube suggests and passengers shuffle

 

towards and across the yellow line. It eases

events summarised in shoulder agonies, in teeth, it

 

folds him into its zoom-shot’s softened warp, a peace

which soon quietly suggests permanency, then insists. The

 

approaching tube tightens the moment. But still

throughout the boxy rattles, the remembered sprints

 

of mice and expected breeze, which this time disappoint,

he weighs up pro and contra, and though he votes

 

for flight, the brief splatter on a bar across oblivion’s gate,

he wonders once again what makes him stay

 

still – his position, perhaps, for the rallentando stalls 

and clanks, two-thirds up along the platform,

 

though swift reckonings of force, momentum, resistance

and current dismiss this quibble; duty, the inconvenience

 

for those who’d order his affairs, loses out

to net gains, since feelings are thin, and he doubts

 

the durability of love, and at terms like preservation, instinct

he almost laughs out loud. So what is it

 

that conserves, he wonders, pulled through the opening doors

into a twine of limbs, holdalls and armpit odours,

 

reminded everywhere by signs and certainty so potent

only caprices everyone (including him) recoils from could thwart it

 

that he’d get off at Waterloo Station, thread 

and be threaded through its interchanges, planes, and head

 

towards an inevitability named home. That night’s virtuoso

outburst at the internet provider’s call-centre drone,

 

his determination to prevail in the ongoing diplomatic row

about the fridge temperature, a prolonged shower

 

are freedom or exhaust fumes from a mechanism whose name demeans

with its simplicity and camouflaging power. Is it all routine?

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THE COURTSHIP OF WINDS

© 2015 by William Ray

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