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Table of Contents

Winter 2022
Poetry
 

Richard Carl Subber 

Elements

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Margaret B. Ingraham

No Escape

 

Lowell Jaeger

She Tells Herself This Is It

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Ken Poyner

Music

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Joseph Hardy

Staying Up Late

We Sell Those Ugly Houses

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Hannah Jane Weber

Ode to Bluebird Resort

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Gordon Kippola

Apparent Field of View

 

J. Tarwood

Girl Watcher

Eternity, Absence

 

Sam Ambler

The Player

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Gail Nielsen

Young Augustines

 

DS Maolalai

Shelter Nonetheless

 

Eleanore Lee

Shelter

 

Charles Elin

what's unavailable is not there

 

Esme DeVault

Nana's Wings

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Don Thompson

Bad Afternoon

 

Jay Carson

Ashes of Love

 

J. R. Forman

Meeting Where the Two Deserts Kiss

 

Frederick Pollack

Retreat

Notes From the Last to Leave

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Alise Versella

Subway Hearts

 

Stephen Mead

Kiki

 

Doug Van Hooser

Crab Apple Pips

 

Murray Silverstein

The Case for Punctuation

András Schiff, After Playing the Preludes of Johann     Sebastian Bach, Davies Symphony Hall, San   Francisco

 

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N.B.  If you are reading the journal on a cell phone, line breaks for some of the poems will  be distorted.  

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Art & Photography

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Mario Loprete

Was My Father  (issue motif)

Untitled (clothesline)

Untitled (shirts)

Fuckovid 1

Fuckovid 2

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Essays

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Robert F. Harris

Worlds Apart

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Madhurika Sankar

The Discriminatory Indian

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Fabrizia Faustinella

Crime Scenes

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David Sapp

Wooster Road Suicide

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Fiction
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Christie Cochrell

Upping Stakes

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Benjamin Harnett

The Stick Man

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Tom Eubanks

The Dancer

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Anne Michaud

A Rainbow in Koussountou

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Alex Clermont

Small Steps

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Rin Kelly

Curated

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William Hayward

The Moustache

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David Obuchowski

Suicide Lane

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Catherine Parilla

Robin

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P. C. Allan

The Wounding of Lieutenant Lively

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Geoffrey Heptonstall

Fact and Value

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Drama
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David Brendan Hopes

The Dog with White Eyes

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Judy Klass

After Tartuffe, Part One

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Contributors

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was_my_Father_concrete_sculpture_18_cm_x_30_cm.jpg
Mario Loprete, Was My Father

THE COURTSHIP OF WINDS

© 2015 by William Ray

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