Table of Contents

Winter 2022
Poetry
 

Richard Carl Subber 

Elements

Margaret B. Ingraham

No Escape

 

Lowell Jaeger

She Tells Herself This Is It

Ken Poyner

Music

Joseph Hardy

Staying Up Late

We Sell Those Ugly Houses

Hannah Jane Weber

Ode to Bluebird Resort

Gordon Kippola

Apparent Field of View

 

J. Tarwood

Girl Watcher

Eternity, Absence

 

Sam Ambler

The Player

Gail Nielsen

Young Augustines

 

DS Maolalai

Shelter Nonetheless

 

Eleanore Lee

Shelter

 

Charles Elin

what's unavailable is not there

 

Esme DeVault

Nana's Wings

Don Thompson

Bad Afternoon

 

Jay Carson

Ashes of Love

 

J. R. Forman

Meeting Where the Two Deserts Kiss

 

Frederick Pollack

Retreat

Notes From the Last to Leave

Alise Versella

Subway Hearts

 

Stephen Mead

Kiki

 

Doug Van Hooser

Crab Apple Pips

 

Murray Silverstein

The Case for Punctuation

András Schiff, After Playing the Preludes of Johann     Sebastian Bach, Davies Symphony Hall, San   Francisco

 

N.B.  If you are reading the journal on a cell phone, line breaks for some of the poems will  be distorted.  

Art & Photography

Mario Loprete

Was My Father  (issue motif)

Untitled (clothesline)

Untitled (shirts)

Fuckovid 1

Fuckovid 2

Essays

Robert F. Harris

Worlds Apart

Madhurika Sankar

The Discriminatory Indian

Fabrizia Faustinella

Crime Scenes

David Sapp

Wooster Road Suicide

Fiction

Christie Cochrell

Upping Stakes

Benjamin Harnett

The Stick Man

Tom Eubanks

The Dancer

Anne Michaud

A Rainbow in Koussountou

Alex Clermont

Small Steps

Rin Kelly

Curated

William Hayward

The Moustache

David Obuchowski

Suicide Lane

Catherine Parilla

Robin

P. C. Allan

The Wounding of Lieutenant Lively

Geoffrey Heptonstall

Fact and Value

Drama

David Brendan Hopes

The Dog with White Eyes

Judy Klass

After Tartuffe, Part One

Contributors

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Mario Loprete, Was My Father